Selasa, 10 Mei 2011

[E832.Ebook] Download No Exit and Three Other Plays, by Jean-Paul Sartre

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No Exit and Three Other Plays, by Jean-Paul Sartre

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No Exit and Three Other Plays, by Jean-Paul Sartre

Four seminal plays by one of the greatest philosophers of the twentieth century.

An existential portrayal of Hell in Sartre's best-known play, as well as three other brilliant, thought-provoking works: the reworking of the Electra-Orestes story, the conflict of a young intellectual torn between theory and conflict, and an arresting attack on American racism.

  • Sales Rank: #18722 in Books
  • Brand: Brand: Vintage
  • Published on: 1989-10-23
  • Released on: 1989-10-23
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.10" l, .97 pounds
  • Binding: Paperback
  • 275 pages
Features
  • Used Book in Good Condition

Language Notes
Text: English
Original Language: French

From the Inside Flap
4 plays about an existential portrayal of Hell, the reworking of the Electra-Orestes story, the conflict of a young intellectual torn between theory and conflict and an arresting attack on American racism.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Fantastic Plays!
By Dead Head
Sartre makes Existentialism come alive through these plays. The philosophical ideas are made understandable and one does not even have to know that this is an Existentialist work, in other words, the plays stand on their own as interesting and well written. I would have paid the full price just for the one play No Exit. Fantastic stuff - highly recommended.

1 of 1 people found the following review helpful.
If there is a hell, this may well be exactly how it is
By Mister Culverlake
A classic Sartre work, "No Exit", grouped with three other plays not previously known to me when I first picked up this book many years ago. "No Exit" remains one of my all-time favorites and often Sartre's definition of hell finds its way into my conversations and thoughts.

Any fan of mid-20th century existential brilliance will fall in love here. It's like Camus, without the social justice.

0 of 0 people found the following review helpful.
Iconic Modern Theatre
By Navarre
Always amazing! Rereading is a new pleasure and reawaken appreciation for Sartre's genius.

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Sabtu, 07 Mei 2011

[B368.Ebook] PDF Download The Anthology of Feelings, by Ika Natassa

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The Anthology of Feelings, by Ika Natassa

Synopsis: You Know , Someday people will make films about us. Garry Marshall, Anthony Minghella, Roberto Benigni, or maybe Steven Soderbergh and Wong Kar-Wai. And They will direct afternoon scene in their own style.

  • Published on: 2015-11-23
  • Dimensions: 8.52" h x .73" w x 5.96" l,
  • Binding: Paperback
  • 320 pages

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Senin, 02 Mei 2011

[G456.Ebook] Ebook Free Gaudy Night, by Dorothy L. Sayers

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Gaudy Night, by Dorothy L. Sayers

Will be shipped from US. Brand new copy.

  • Sales Rank: #2668224 in Books
  • Published on: 2012
  • Binding: Paperback

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0 of 0 people found the following review helpful.
You end up living this story, becoming immersed in ...
By Paul Bennett
You end up living this story, becoming immersed in the Oxford university life and society as it existed in the period between the wars. There is a conceit by the author in the way that it is written. It is almost politically incorrect from today's view point, but it provides a glimpse into a world that is now gone but not quite forgotten. if Jane Austen was writing in this era of history, the social nuances and observances would have been delivered with the same incisive understanding as achieved here by Dorothy L Sayers.
The story line is not overtly violent - there are no murders (although there are suggestions of possible harm) and the denouement does address something of a hint of the social concerns underlying society at this time.
And then there is the culmination of the five year romance between Lord Peter and Harriet / Dorothy. All that I can say as a response to my thoughts on the outcome is "Placet."

1 of 1 people found the following review helpful.
One line to sum up such a complex book? I can't do it.
By A. Wolthuis
I grew up reading Dorothy Sayers mysteries, so it's hard to be objective about them. They shaped my thinking and I continue to read and appreciate them as an adult. Gaudy Night stands out to me as the novel where she forced the greatest change upon her characters. Their changes were realistic and complex. There are certainly flaws in the way she went about forcing these changes, but even the flaws don't ruin the illusion that Wimsey and Vane are living, breathing humans.

0 of 0 people found the following review helpful.
Sayers at her best
By A RICHARD
How can one rate a classic? Dorothy Sayers was a Classical scholar whose education was beyond what most of us can imagine. Her mysteries were a popular sideline from her scholarly writings. They contain humor, romance, and (in this particular instance) many reflections of her academic achievement. Set in Oxford University and thoroughly entertaining from start to finish, this novel is also a marvel of thematic development that can only be fully appreciated on a second reading. Sayers winds her themes cleverly into dialogue and narration alike, and they can lead the observant reader to the solution of "whodunnit."

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Selasa, 26 April 2011

[S786.Ebook] Free Ebook The Very Hungry Caterpillar, by Eric Carle

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The Very Hungry Caterpillar, by Eric Carle

THE all-time classic picture book, from generation to generation, sold somewhere in the world every 30 seconds! Have you shared it with a child or grandchild in�your�life?

"The very hungry caterpillar literally eats his way through the pages of the book—and right into your child's heart..."
—Mother's Manual

"Gorgeously illustrated, brilliantly innovative..."
—The New York Times Book Review

  • Sales Rank: #50 in Books
  • Brand: Ingram Book & Distributor
  • Model: ING0399226907
  • Published on: 1994-03-23
  • Released on: 1994-03-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.00" h x .70" w x 7.20" l, .55 pounds
  • Binding: Board book
  • 26 pages
Features
  • Great product!

Amazon.com Review
"In the light of the moon a little egg lay on a leaf." So begins Eric Carle's modern classic, The Very Hungry Caterpillar. More than 12 million copies of this book have been sold in its original, full-sized edition, and the beloved tale of science and gluttony has been translated into 20 languages. This five-by-four-inch miniature edition is truly tiny, with tiny type, but it is a nice size for small hands to hold and flip through the pictures. Despite its diminished state, the book is complete in every detail, following the ravenous caterpillar's path as he eats his way through one apple (and the pages of the book itself) on Monday, two pears on Tuesday, three plums on Wednesday, and so on, through cherry pie and sausage--until he is really fat and has a stomachache. And no doubt you know what happens next! Kids love butterfly metamorphosis stories, and this popular favorite teaches counting and the days of the week, too. A fun gift package for caterpillar fans. (Baby to preschool) --Karin Snelson

Eric Carle and Tomie dePaola: Author One-on-One

Eric Carle is the creator, author, and illustrator of The Very Hungry Caterpillar and many other children’s books. Tomie dePaola is the author and illustrator of Strega Nona: Her Story and countless other books. They recently had a conversation about their careers as picture book authors.

Tomie dePaola: When I was only four years old, I announced to my family in particular and to the world in general that I was going to become an artist, and write stories and draw pictures for books. I never swayed from that early declaration. I’ve always been curious to know, what inspired you to become a creator and illustrator of picture books?

Eric Carle: My career began as a graphic designer and for a number of years I worked as an art director for an advertising agency in New York. In the mid 1960's Bill Martin, Jr. saw an ad of a red lobster that I had designed and asked me to illustrate his Brown Bear, Brown Bear, What Do You See? Well, I was set on fire! I was so inspired by this book, and the opportunity to illustrate it changed my life. After that, I started to create my own books, both words and pictures, and really it was then that I had found my true course in life.

Now, I have a question for you, Tomie. How would you describe your artistic style, and has it changed over time?

Tomie dePaola: My illustration style is heavily influenced by folk art--strong simple shapes, bold lines, color, color, color and a deceptive simplicity. My style began to develop early in art school, and through the years, it hasn’t changed very much, but it has refined itself. How would you describe yours?

Eric Carle: My aim with my work is to simplify and refine, be logical and harmonious. I like to use simple shapes, bright colors and a lot of white space. I write for the child inside of me. That is always where I begin.

Tomie dePaola: I do, as well. The only audience I keep in mind is that four-year-old in me. People sometimes ask me what advice I would give to young artists. I always think of the wonderful advice I received from my twin cousins when they were in art school in the late '30s. They told me, “Practice, practice, practice and don’t copy.”

Eric Carle: I often tell people about the four magic letters: DO IT. I want to be encouraging but I can only offer the example of my own experience, which is just one approach. There are many wonderful artists to learn about, which is important. But you must use your own imagination. You have to just do it.

Tomie dePaola: How do you feel knowing that a copy of The Very Hungry Caterpillar is sold every 30 seconds, somewhere in the world?

Eric Carle: It is hard for me, maybe for others too, to grasp this concept. But I am truly honored that my story is enjoyed by so many and that it is now being shared by a generation of parents who grew up with my book. How about your Strega Nona. She is one of your most popular characters. Can you share how she came to be?

Tomie dePaola: In the ‘70s when I was teaching at a college, we were required to attend faculty meetings. I always sat in the back with a yellow legal pad. Everyone thought I was taking notes. At one meeting a doodle appeared of a little lady with a big nose and a big chin. I named her Strega Nona, and the rest is history. Speaking of history, how will you be celebrating the third annual Very Hungry Caterpillar Day this year?

Eric Carle: On The Very Hungry Caterpillar Day, March 20th, I will probably be at home with my wife, Bobbie (I am a bit of a hermit, actually). But I will be saying a little toast to the caterpillar for whom I have a special place in my heart. And speaking of holidays, isn’t your favorite holiday Christmas. Do you have a special Christmas memory?

Tomie dePaola: Christmas is my favorite holiday. My favorite Christmas was the one when I received tons and tons of art supplies: everything from an easel to paints, pads and pads of paper, and “how to draw” books.
A Look Inside The Very Hungry Caterpillar (Board Book)
(Click on Images to Enlarge)

From the Inside Flap
One sunny Sunday, the caterpillar was hatched out of a tiny egg. He was very hungry. On Monday, he ate through one apple; on Tuesday, he ate through three plums--and still he was hungry. Strikingly bold, colorful pictures and a simple text in large, clear type tell the story of a hungry little caterpillar's progress through an amazing variety and quantity of foods. Full at last, he made a cocoon around himself and went to sleep, to wake up a few weeks later wonderfully transformed into a butterfly!

Brilliantly innovative designer and artist Eric Carle has dramatized the story of one of Nature's commonest yet loveliest marvels, the metamorphosis of the butterfly, in a picture book to delight as well as instruct the very youngest reader or listener. Cleverly die-cut pages show what the caterpillar ate on successive days, graphically introducing sets of up to 10 objects and also the names of the days of the week in rotation, as well as telling the central story of the transformation of the caterpillar. The final, double-page picture of the butterfly is a joyous explosion of color, a vibrant affirmation of the wonder and beauty of Nature.

About the Author
Eric Carle is acclaimed and beloved as the creator of brilliantly illustrated and innovatively designed picture books for very young children. His best-known work, The Very Hungry Caterpillar, has eaten its way into the hearts of literally millions of children all over the world and has been translated into more than 25 languages and sold over twelve million copies. Since the Caterpillar was published in 1969, Eric Carle has illustrated more than sixty books, many best sellers, most of which he also wrote.

Born in Syracuse, New York, in 1929, Eric Carle moved with his parents to Germany when he was six years old; he was educated there, and graduated from the prestigious art school, the Akademie der bildenden Kunste, in Stuttgart. But his dream was always to return to America, the land of his happiest childhood memories. So, in 1952, with a fine portfolio in hand and forty dollars in his pocket, he arrived in New York. Soon he found a job as a graphic designer in the promotion department of The New York Times. Later, he was the art director of an advertising agency for many years.

One day, respected educator and author, Bill Martin Jr, called to ask Carle to illustrate a story he had written. Martin's eye had been caught by a striking picture of a red lobster that Carle had created for an advertisement. Brown Bear, Brown Bear, What Do You See? was the result of their collaboration. It is still a favorite with children everywhere. This was the beginning of Eric Carle's true career. Soon Carle was writing his own stories, too. His first wholly original book was 1,2,3 to the Zoo, followed soon afterward by the celebrated classic, The Very Hungry Caterpillar.

Eric Carle's art is distinctive and instantly recognizable. His art work is created in collage technique, using hand-painted papers, which he cuts and layers to form bright and cheerful images. Many of his books have an added dimension - die-cut pages, twinkling lights as in The Very Lonely Firefly, even the lifelike sound of a cricket's song as in The Very Quiet Cricket - giving them a playful quality: a toy that can be read, a book that can be touched. Children also enjoy working in collage and many send him pictures they have made themselves, inspired by his illustrations. He receives hundreds of letters each week from his young admirers. The secret of Eric Carle's books' appeal lies in his intuitive understanding of and respect for children, who sense in him instinctively someone who shares their most cherished thoughts and emotions.

The themes of his stories are usually drawn from his extensive knowledge and love of nature - an interest shared by most small children. Besides being beautiful and entertaining, his books always offer the child the opportunity to learn something about the world around them. It is his concern for children, for their feelings and their inquisitiveness, for their creativity and their intellectual growth that, in addition to his beautiful artwork, makes the reading of his books such a stimulating and lasting experience.

Carle says: "With many of my books I attempt to bridge the gap between the home and school. To me home represents, or should represent; warmth, security, toys, holding hands, being held. School is a strange and new place for a child. Will it be a happy place? There are new people, a teacher, classmates - will they be friendly? I believe the passage from home to school is the second biggest trauma of childhood; the first is, of course, being born. Indeed, in both cases we leave a place of warmth and protection for one that is unknown. The unknown often brings fear with it. In my books I try to counteract this fear, to replace it with a positive message. I believe that children are naturally creative and eager to learn. I want to show them that learning is really both fascinating and fun."

�

copyright � 2000 by Penguin Group (USA) Books for Young Readers. All rights reserved.

Most helpful customer reviews

84 of 88 people found the following review helpful.
Board Book (7" x 5") w/ Plush Toy - Used / Like New Review
By B. Mandel
All the reviews here about size and other issues confused the h*** out of me... so I'm going to help you all out and be extremely specific. I took a chance (since I'm overseas, I can't return it) and bought the Very Hungry Caterpillar Board Book w/ Plush Toy from Amazingsalebooks in used / like new condition for under seven bucks. It is a gift for an expectant mother. I am very happy with this purchase (see my pics). Everything came in like new condition as the seller stated -a relief, because I was reluctant to buy used for a book and plush toy meant for a newborn. Both were spotless, vibrant, and free of creases and markings). Even the gift box it comes in came relatively uncrushed (after traveling in my friend's suitcase through three countries). What I received appears to be a genuine Eric Carle product -the book I got is published by Philomel 1987 edition. I saw reviews where people complained about the print, maybe it was for a smaller edition; I found the print here to be fine. I would say it is about font size 16.

The book itself is cute and perfect to read for babies and toddlers (repetition teaching days of the week, numbers 1-7, fruits and other foods, and life cycle). The colors are very vibrant and the book has all the little holes (about the size of a standard hole punch... you won't be able to stick your fingers through, which also means baby can't rip it). It is a solid, sturdy, proper board book with smooth finished edges that I feel comfortable having a baby touch (or even if they suck on it before you notice and pull it out of their mouth).

The plush toy is also very well constructed with no loose seems and withstands gentle tugging on the ears, legs, and colored fringy hairs (of course you always need be careful with babies and choking on anything and not let them suck on this more than a moment or unsupervised).

Unrelated, I bought a cute Eric Carle baby rattle -see my other review if you are curious.

1 of 1 people found the following review helpful.
Five Stars
By Kindle Me Softly
One of Eric Carle's favorite book for toddlers. My granddaughter loves it!

1 of 1 people found the following review helpful.
Five Stars
By Craig T.
Such a great children's book. Our toddler has it memorized.

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Senin, 25 April 2011

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  • Sales Rank: #7330440 in Books
  • Published on: 1996-02-23
  • Format: Import
  • Number of items: 1
  • Binding: Paperback

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Senin, 18 April 2011

[O747.Ebook] Download Ebook The Glass House Tapes, by Louis E. Tackwood, Citizens Research & Investigative Committee

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Story of an Agent-Provocateur and the New Police-Intelligence Complex; confession of former agent for Los Angeles Police Department.

  • Sales Rank: #1408472 in Books
  • Published on: 1973-09-20
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 284 pages

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Minggu, 10 April 2011

[U393.Ebook] Download PDF Darkness Weaves, by Karl Edward Wagner

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Once Efrel was the beautiful consort of a king. Now she is a hideous creature who lives only for revenge. She has allies to aid her, but only Kane, the Mystic Swordsman, can rally her forces for battle. Only he can deliver the vengeance she has devised in her knowledge of black magic.

  • Sales Rank: #508484 in Books
  • Published on: 2016-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.10" w x 6.20" l, .0 pounds
  • Binding: Hardcover
  • 306 pages

About the Author
Karl Edward Wagner (1945 - 1994) Karl Edward Wagner was born in Knoxville, Tennessee. He earned a degree in history from Kenyon College in 1967 and a degree in psychiatry from University of North Carolina at Chapel Hill. Despite this training, Wagner disliked the medical profession and abandoned it upon establishing himself as a writer; his disillusionment with the medical profession can be seen in the stories 'The Fourth Seal' and 'Into Whose Hands'. As well as being a multi-award winning author, Wagner was a highly successful editor and publisher of horror, science fiction and heroic fantasy, creating a definitive three-volume set of Robert E. Howard's Conan the Barbarian fiction, and edited the long-running and genre-defining Year's Best Horror and Fantasy series. Wagner is perhaps best known for his creation of the long-running series of stories featuring Kane, the Mystic Swordsman. He died in 1994.

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23 of 24 people found the following review helpful.
as good as genre fiction gets, period.
By k wolf
Frankly, some of these reviewers don't know what they are talking about. This is the best of the Kane novels, and as such it is probably the best "dark fantasy" novel ever written.

No, it doesn't come close to having the purely literary merits of Gene Wolfe's "New Sun" books, and it doesn't have the inventive cosmology or cult following of Moorcock, but those books all have deep flaws that Wagner does not, and Wagner possesses merits that Wolfe and Moorcock lack.

It is hackneyed to describe a work of art by saying it is "a cross between such and such and such and such", but in this case it is perfectly apt. Kane is exactly halfway between Conan and H.P. Lovecraft, fusing the strengths of each and eliminating their weaknesses. Wagner combines the action, atmosphere and fast paced storytelling of Howard, adds the purple prose and supernatural subtext of Lovecraft, and delivers what for my money is the most entertaining fantasy sequence of the decade of the seventies.

And while there are no bad or even merely average Kane stories, a few of them are a little too predictable and uninventive, such as his vampire tale and his werewolf tale in "Night Winds". Not so this novel. It combines all the best elements Wagner used throughout his career into one novel that is a simply perfect representative of its genre. Kane carries out a bloody sea invasion at the behest of an evil sorceress, with plot twists galore at the end...

No, it isn't high art; no, it isn't enlightening. No, I didn't want it to be. Just pure testosterone and black magic. I loved it. So will you.

7 of 8 people found the following review helpful.
Again and again
By willrick@gol.com
Of all the books I've read in my life, this is the one that I read more than any other. I must have read this thing 10 times over the past 10 years, I never get tired of it. Or any other Kane book for that matter. Look up anti-hero in the dictionary, there's a picture of Kane beside it. There's has never been a more fitting character for this oft-overused expression. No other sci-fi/fantasy character is more intriguing than Kane. None, nada, zilcho. He's a warrior, sorceror, general, scholar, historian, etc. Been there, done that...everything. Kane is one of the first true men who was cursed with immortality after rebelling against the insane god that created his race. Kane eventually killed his own brother Abel (Cain...Abel..get it?), who sided with their creator. Kane wanders ad infitinum, watching civilizations crumble into dust, only occasionally dropping hints about his true age to others. How do you know him? By his eyes, known as the Mark of Kane. No one can win a staredown with Kane, his piercing gaze carries the weight of untold centuries. In Darkness Weaves, Kane deals with some parts of Elder Earth even older than him. His genius as a naval commander bears heavily in the book, as well as his insane/sane mind for what he does with his hideous partner in crime. Wagner again has a smooth-flowing story that conjures a post-Stone Age, pre-Oppenheimer toy era. If you enjoy this title, check out other Kane books by their now-deceased author: Death Angel's Shadow, Night Winds, Bloodstone and Dark Crusade.

2 of 2 people found the following review helpful.
I read this first, and plan on reading the rest!
By Jack Perridew
Kane is an anti-hero, plain and simple. Read about him in a different post.

I really enjoyed Wagner's writing style. He moves quickly through scenes, but not without describing in adequate details that that particular character would see it. Wagner really enjoyed using collegiate level speech, but taken in context it makes sense. Being a dungeons and dragons dweeb, I can completely appreciate characters and development.. he doesn't provide *all* of the development at once and instead interjects bits and pieces, weaved throughout the tale. I really enjoyed the first of the battles on the sea, by using Kane's thoughts Wagner was able to narrate why it is that they were using the tactics that they were, really fun stuff.

If you want to see a bad guy that isn't afraid to kick some tail, this is well worth the few bucks you'll spend on the paperback!

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